Tamara Grčić’s installation take full advantage of the expansive hangar space. Her work features 11,611 glass bottles, withdrawn from industrial use and transformed into performers. These bottles, arranged in hues of green and brown, respond to the sunlight and the movement of winds (sound composition), spilling across the hangar floor like a shimmering, living stream. Freed from their original function, the bottles partake in a transient choreography, shaped by light, air, and sound. Ultimately, they return to the production cycle to be fully recycled, completing a circular journey from industrial creation to artistic expression and back again. (Erzen Shkololli)